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phyllis cole-dai: News & Notes

Phyllis Announces Return to Public Speaking - June 3, 2010

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As of this month, Phyllis will resume public speaking on a limited basis. This follows a year of "retirement" from public life.

"I never stopped speaking entirely, despite my clear intentions," Phyllis acknowledges. "I kept receiving requests to speak. When I had sufficient time and energy, given everything else I was doing, I would agree to appear, especially at local events. How could I turn down religion or education classes at South Dakota State?"

Some of the circumstances that prompted Phyllis's "retirement" last June have now changed, she says, allowing for this return. But she doesn't see herself returning to the kind of speaking schedule she kept in former years. "That was crazy," she says with a little laugh, "and frankly, I paid the price. Coming back, I've set some limits, and I intend to honor them, even if it's difficult, as I suspect it sometimes will be. I need ample free time for my personal life and for my creative work."

Despite more than ten years having passed, most audiences still want to hear Phyllis speak about the 47 days she spent in 1999 living voluntarily with her friend James Murray on the streets of Columbus, Ohio. When speaking on this subject, Phyllis focuses on "the practice of being present," the core discipline of her life that led her to the streets in the first place.

But Phyllis says that she would also be happy to speak on a variety of other topics, such as the inseparability of personal spirituality and social conscience; the significance of the "insignificant"; living compassion; and songwriting, spirituality and social concern. "Propose a subject," she says. "If I believe that I have something of value to say about it, I'll give it a try."

While Phyllis regards her public speaking primarily as an act of service, in most cases she will require a modest honorarium and reimbursement of all travel expenses associated with her appearance. See the Booking page for more details. Top

 

Phyllis Releases New Holiday CD - October, 2009

Phyllis happily announces the November release of ‘Tis a Gift: Christmas by Guitar, her new holiday album. This 16-song, 49-minute CD features her own arrangements of timeless Christmas classics, along with one original composition.

“No, I haven’t suddenly learned how to play guitar,” Phyllis laughs. “Believe it or not, I made these acoustic guitar recordings without ever plucking a real guitar string. Call it digital magic!”

Phyllis guarantees that this will be some of the most peaceful Christmas music you’ll ever hear. And when you buy a CD ($10 each), she will donate $6 to the Brookings Backpack Project (www.brookingsbackpackproject.org). That donation will provide a weekend’s supply of food to at least one schoolchild who is at risk of hunger in Brookings, SD, where Phyllis and her family reside.

“Buy a CD for yourself, buy another for a friend,” Phyllis encourages. “It may seem a little early to be thinking about holiday gifts, but it’s never too early to be thinking about hungry kids.”

This is Phyllis's first audio CD with 100% recyclable packaging. "No more plastic jewel cases, no more shrink-wrapping," she says. "This CD's `eco-pack,' as the manufacturer calls it, is at once protective of the disk and friendly to the environment." An unexpected side benefit of going green, Phyllis remarks, has been decreased production costs, allowing her to lower her traditional sales price.

If you would like to sample some of the music on 'Tis a Gift, click here. To purchase a copy of ‘Tis a Gift, visit the Store or contact Phyllis.

Phyllis thanks you in advance for your generous support of the children of Brookings. She wishes everyone a sacred, and peaceful, holiday season. Top

 

The "Difficult Decision" to Retire - May 12, 2009

As of June 1, 2009, Phyllis will retire from her public work and will no longer be available for concerts and speaking engagements except in rare circumstances.  A variety of factors, including chronic health issues and a deep desire to be more present to her family, led to the difficult decision.
     "Difficult to make, but not hard to live with," she says, as June 1 approaches. "It's not as if I won't still have meaningful work to do. But I need to do it at a slower pace, and closer to home, for my sake and for my family's. Plus, as I pull back from public appearances, I have a sense of anticipation. I sense that the work wants to lead me out of familiar territory into places unknown.  Where or what that might be, I have no idea, but I need to make space for whatever it is to develop. Eventually it will make itself known, just as it always has in the past.  I've learned you can't force it.  You just have to wait."
     Phyllis acknowledges that her decision to retire was complicated by the recession and the subsequent rise in homelessness and economic hardship. "There's so much need out there," she says. "It doesn't seem like a good time to stop advocating on behalf of those who are suffering. But then, as I had to remind myself, I'm not `stopping.' I'm just shifting gears."
     The tenth anniversary of her experience living voluntarily on the streets of Columbus, Ohio, which she just observed (February 17 through April 4), was an unexpected catalyst in Phyllis's decision to retire. "As the anniversary approached," she says, "I was increasingly restless. I felt the need for change. I was certain that I wasn't meant to spend the rest of my life talking about something that happened in 1999, no matter how relevant that experience and my reflections on it might still be."
     As Phyllis wrote recently in her blog, "The story [of living on the streets] is as relevant as ever; my compassion, as deep and unrelenting. But The Emptiness of Our Hands will have to do the storytelling now."
     For the foreseeable future, Phyllis says, she'll be "staying home." "Home, where my son and husband are. Home, where I can rest, and tend my health. Home, where I can be in community, seeking to address local (as well as national and global) needs and injustices. Home, where I can love and write and compose and play and garden and wash windows and ride bike and meditate and just be there."
     Phyllis stresses that her creative and humanitarian work will continue out of the public eye. "The work of love never ends," she says, "but its forms are ever-changing."
     Expressing her gratitude to everyone who has walked with her through the past decade, and inviting them to continue the journey with her even in her "retirement," Phyllis offers them this message of encouragement: "Just be there, and the Thing will come—The Thing that calls your soul out in the service of love; the Thing that, though you didn't seek it, you recognize when it crosses your path; the Thing that, when you see it, you reach out for and seize by the hand, and trust, and go along with.
     "The Thing comes again and again, even in the space of an ordinary day, wearing this face or that, taking this form or that. Be vigilant. If you're watching for it, you can't miss it. Believe me. It won't let you miss it.
     "So watch. See. Go. Wherever the Thing takes you—someplace near, someplace far—you'll never be the same for it, and neither will the world." Top


10th Anniversary "Streets Blog" to Remain Available
- May 11, 2009

Phyllis won't be blogging for the foreseeable future, but her special series of posts (i.e., articles) in observance of the ten-year anniversary of her streets experience will remain accessible on her "Practicing Presence Blog". A companion to The Emptiness of Our Hands, the series ran from February 22 through April 12, 2009.
    If you wish to read (or reread) those posts, you may do so here. Or you may visit www.phylliscoledai.blogspot.com and click on the appropriate archive page(s), listed by date at the right (i.e., Feb. 22-April 12, 2009).
    Though it also stands on its own, this series of blogs is best appreciated when read as a companion to The Emptiness of Our Hands. To purchase a copy of the book for your own use or for use by a group to which you belong, please visit the Store. Contact Phyllis for special rates on bulk orders. Remember, 20% of all sales proceeds support programs benefiting homeless persons. Top


Phyllis Hoping to Help People "Through Tough Times"
- November 5, 2008

Citing the economic hardships many of you now face, Phyllis is announcing several initiatives to help you through the tough times.
   "We’re all feeling the pinch," Phyllis says, "and for some people that `pinch' is becoming more of a tight squeeze, or worse. I can't do much to help, but I want to do what I can."
     The first thing Phyllis is doing is to introduce a "hardship" pricing option on her books and CDs, a 50% markdown from the regular price. When you buy one book or one album, whether in person or on this website, you get to choose: Either pay the regular price ($15/CD, $18/book), or, if you’re having a tough time financially, pay the much lower “hardship” price ($7.50/CD, $9/book).
     "Use your own judgment. I know you’ll be fair," Phyllis says, noting that she plans to make the hardship option available for the foreseeable future.
     The second thing Phyllis is doing is to offer more free material. For example, she has started a blog (an online journal) to “explore the practice of being present to ourselves and others; of offering our full selves to the living of our lives and the healing of our fractured world.” This subject has been central to Phyllis's public speaking over the years, and she looks forward to diving into it more fully with you. "I'm adding an article to the blog daily, Monday through Friday of each week, schedule permitting," she says. "I really hope that you'll join the discussion." You can reach the blog either by clicking on "Practicing Presence Blog" in the navigation bar on this website, or by visiting www.phylliscoledai.blogspot.com.
      "If you’d like, you can even sign up to receive daily updates to the blog through a free subscription," Phyllis says, encouraging you to see the blog for more details.
     In addition to offering the free blog, Phyllis has decided to offer more free downloadable sheet music, especially "spiritual folk songs" that she has been writing for group and community use. If you’re interested, check out the Sheet Music Rack in the Store. "There's not a lot of music there just yet," Phyllis acknowledges, "but it's on the way. Please tell your friends who are singers, choir directors, and so on about this free resource."
     Finally, in what she calls a "symbolic expression of support," Phyllis is now giving a beautiful "peace on earth" bead to anyone who buys any of her merchandise. "As I announced last month," Phyllis explains, "I originally intended to give these beads only to folks who purchased The Book of the World. But the beads have been generating such enthusiasm, I decided, `What the heck, let’s just give one to every customer!"
     Phyllis realizes that these small initiatives on her part aren't much in the grand scheme of things. "But this is all I can think of right now to do," she says. "If you have additional ideas, just let me know." Top


Introducing The Book of the World
- September 20, 2008

Imagine scripture created for today.
     Scripture intended not to replace other holy books but to offer alongside them its own poignant witness.
     Scripture written not by prophet or saint, mystic or messiah, guru or god, but by the world.
     Scripture nearly 3,000 verses long, woven from quotations from around the globe.
     Scripture whose creator is unknown and whose origins are a mystery.
     Scripture that first appeared on the Internet, only to be suppressed.
     Scripture meant not only to be read but also to be tested, and transcended.

     Imagine it no more. That scripture is here.

     “The Book of the World is a powerful book,” Phyllis says. “I was privileged to have the opportunity to edit and publish it. Reflected in its pages I see many of the values and concerns that are central to the living of my own life—among them, the cultivation of compassion, the expansion of peace and justice, the growth of respect for this planet and all living things.
     “I don’t necessarily agree with everything that The Book of the World says. If I did, its author, I imagine, would surely take me to task. But its words call me out of complacency, urging me to keep on with the great work of making my soul—which is, at the same time, the great work of making the world.”
     The Book of the World first came to Phyllis’s attention when a friend, who wishes not to be identified, told her something she had heard from one of her close relatives. This relative, a long-time employee of a major Internet portal, had confided in her about a “modern-day holy book that had been censored from the Web.”
     Suspicious of the story but still intrigued, Phyllis arranged a meeting with her friend’s relative, whom she calls Q. “I promised not to divulge the person’s identity,” she explains. “Q feared repercussions in the workplace if discovered, as well as strife in the family.”
     Q told Phyllis that The Book of the World had originally appeared on a Web site in mid-2007. Readers could view but not download its text, whose author and origins were unknown. “Internet traffic to its Web site increased over a short time,” Phyllis reports. “Then, suddenly, the document vanished. Q checked into it and learned that the domain name registrar had disabled the book’s Web site. Access to the site was blocked. In other words, it was censored.”
     “I had trouble believing that at first,” Phyllis confesses. “Then I did a little digging of my own and learned how entirely possible that censorship was.”
     At the end of their first meeting Q surprised Phyllis with a jump drive containing the original text of the The Book of the World.  She never learned how Q had acquired the document, which supposedly wasn’t downloadable. “Initially I thought that Q had created the book,” she recalls, “but as the two of us got better acquainted, I realized it wasn’t possible.
     “Who the author is remains a mystery. I hope one day it will be solved. I encourage the author to step out of the shadows. Conclusively identify yourself. All you have to do is point out a signal change I've made to the book’s text, a change only you would recognize. I’ll be waiting.”
     The Book of the World: A Contemporary Scripture is not divinely revealed. No god dictated its words. No god stands behind its words, backing them up. The Book of the World, in all its glory and all its pain, is a fully human document. Unapologetically human.
     “I don’t know of any other book like it,” Phyllis says. “Not a single line of the book is original to its author (who really should be called an editor or redactor). Every verse is a quotation, its verse number referring to a note at the bottom of the page, naming its source. Contained in the document are nearly 3,000 quotations from more than 1,200 spiritual teachers, ethicists, philosophers, theologians, political prisoners, refugees, human rights advocates, environmentalists, laborers, and so on.”
     This book of scripture, Phyllis stresses, was clearly not created to supercede or replace other sacred texts, such as the Bible, but to offer alongside them its own beauty and witness. “The Book of the World may not be regarded as scripture by any particular religious group,” Phyllis says. “It doesn’t wish to be. But it could be regarded as scripture by anyone who receives it with an open heart and spacious mind. This is its intention: to speak not to some but to any and all, regardless of religion, regardless of country, regardless of race, regardless of gender— regardless of difference.
     Q eventually proposed that Phyllis lend The Book of the World her name as editor and publish it as a paperback. “I really balked at that idea,” Phyllis says. “Like Q, I wanted the book to gain an audience, but look, I’m an author. I know how laborious and costly is the work of writing, what an investment of time and money and sweat and self it involves. And I know how I would feel if someone somehow procured materials I had written and published them without my permission.
     “But Q made a convincing case for our working together to publish The Book of the World, citing several reasons. First and foremost, the world at large would reap some benefit, however modest, from its publication. Second, The Book of the World was unlikely to reach the public at all unless Q and I published it as a bound book. Online publication seemed impossible, the censorship unavoidable. At my urging, Q had twice attempted to publish the book online, as its creator had previously. Those attempts were censored. It was evident that somebody did not want this document on the World Wide Web.
     “Third, by concealing his or her identity the author of The Book of the World had deliberately cut all ties with its future, not wanting to take credit for the work. By helping to produce and distribute the book without laying any claim to it, Q and I would honor the author’s wishes.”
     To produce, promote and distribute a book costs money; the more widely available a book is made, and the larger the demand, the greater the expense. In order to recoup their costs, Phyllis and Q would need to sell copies of The Book of the World rather than simply give them away. “Q suggested that we donate to charity any income we happened to raise above expenses,” Phyllis says. “Since my own custom is to donate to humanitarian organizations a portion of the sales proceeds from my books and recordings, Q’s idea held immediate appeal.”
     Phyllis acknowledges that while Q’s arguments in favor of publication were convincing, in the end it was The Book of the World itself that persuaded her to act. “There’s a passage in the book that talks about how in the vast mass of things in the world, the act of creation cuts through them, dividing the things that might happen from those that do. It says, `Learn to know ever more deeply: from now on every single thing demands decision, and every action responsibility. You are the decisive element.’
      “I read that, and I had to act. In good faith, I had to act.”
     Phyllis laments that Q, who passed away just weeks before the book went to press, isn’t here to see its publication. “Q’s death saddens me beyond words,” she says. “We had quickly become friends, in the rare way of true friends. The grief cuts deep. Yet I’m glad that Q’s vision for the book—the vision that had caused Q to agree to meet with me in the first place—is now coming to pass.”
     To read an excerpt from The Book of the World, visit the Library. The book can now be purchased online in Phyllis's Store ($18 plus shipping & handling, where applicable) but won't be available to ship or otherwise deliver until early October. If you would rather make your purchase by mail or in person instead of online, contact Phyllis.  Top


Sheet Music Now for Sale in the Music Rack
- August 13, 2008

Phyllis is now starting to sell sheet music in the Sheet Music Rack in her Store. You can download the sheet music of a song or piano solo for a small fee (sometimes even for free) and use it for your own enjoyment or at a place of worship, in a school, with a community group, and so on. Each vocal piece includes the lyrics along with the melody line and either full piano accompaniment or the chord notations for guitar or piano.
     Phyllis admits that less solo piano sheet music than vocal music will be available for sale. "I'd rather be composing than scoring music," Phyllis confesses. "Vocal music takes less time to notate."
     To launch her sheet music sales, Phyllis is making available three special selections. The first song, being offered for free, is "We Are Grateful for This Food," a mealtime blessing she wrote for her young son.
     The second song, available for just .99 (melody and lyrics only; $1.99 with full piano accompaniment), is “Let the Gift Keep Passing On,” a song Phyllis composed for an annual Heifer International fundraising event in Brookings, SD. (To hear a home recording of this song, click here.) “I’m such a fan of Heifer International,” Phyllis says, “that I’m giving 100% of the proceeds from the sale of this song to that organization. I hope that some people who buy the song will use it at their own fundraisers for Heifer. If they do, I’d love to hear about it!”
     Finally, Phyllis is offering "Starting from Here" ($3.99), which she composed for the recent White Coat Ceremony at the Sanford School of Medicine, Vermillion, SD. (To listen, click here.)
     Phyllis plans to add pieces to the Sheet Music Rack from time to time, including a free selection every month, so be sure to check back regularly. Be advised that to view and print Phyllis's sheet music, whether it has been purchased or downloaded for free, you’ll need PDF reading software, such as Adobe Reader. If you would like to download Adobe Reader for free, click the icon below. Top




The Moon Goes Down
- August 1, 2008

Beautiful Is the Moon, the children’s CD for which Phyllis composed the music, is now sold out. There are no plans at this time to do another run. Thanks to all of you who supported Phyllis’s first musical project, and sincere apologies to all of you who still wanted a copy!
     Though The Moon has now gone down, you can still enjoy its music. Just visit the Music Room. Invite a little person along to listen. Who knows? Maybe The Moon will soon have both of you singing! Top


When Times are Hardest Kindness Counts Most
- July 17, 2008

People everywhere are feeling the financial squeeze of higher food and fuel prices, if not also the trauma of lost jobs and lost pensions and lost homes. The financial downturn in the U.S. has already started to impact charitable giving across the nation.
     "It's when times are hardest," Phyllis urges, "that kindness counts most. We have to fight the urge to hoard, feed the urge to share. Share wisely, yes, but share we must, or times will get even bleaker, especially for the most vulnerable among us."
     In this spirit Phyllis wanted to bring you up to date on the humanitarian relief efforts that you, through your generous contributions to her work, have been supporting.
     When Phyllis returned to Columbus this past spring to do a concert fundraiser for the Columbus Coalition for the Homeless (CCH), she was distressed, though not surprised, to find that the number of homeless people in that city, as elsewhere in the United States, has grown exponentially. (Did you know that nationally, one in every four homeless persons, and almost one in every two homeless males, is a military veteran? That homeless families with children are the fastest-growing segment of the homeless population, now at 40%? That the average age of a homeless person is a mere seven years old?
     By purchasing The Emptiness of Our Hands, you have contributed financially to the important work of the CCH. You have, at the same time, made a donation to the Homeless Families Foundation; specifically, to its Dowd Center, a wonderful facility which provides homeless children in Columbus an academically-focused after-school program and a full-day summer program.
     Your purchase of a Friends CD has financially supported the work of Doctors Without Borders in the Darfur region of Sudan. That Nobel prize-winning organization is struggling to continue its mission in a country whose president has now been formally charged with genocide and war crimes. In some areas of Darfur it has been forced to suspend its work altogether, but it's hanging on, and won't give up.
     By purchasing a Child of All Earth CD, you have donated to the Campaign for Innocent Victims in Conflict (CIVIC). CIVIC is a small but mighty organization. Most recently it has been conducting the first-ever training program for American soldiers shipping out to Iraq and Afghanistan on how to compensate civilians for deaths, injuries and loss of homes. It has also successfully pressed NATO to create a common fund for Afghan war victims and subsequently convinced the U.S. Congress to give $2 million to the fund.
     Last year Phyllis created a personal CIVIC fundraising page to help raise donations beyond her CD proceeds. Every donation made to CIVIC on Phyllis's fundraising page is secure and tax-deductible. "The $1000 goal that I set was very ambitious," she acknowledges, "and at $160 raised, we've still got a long way to go, but every dollar we collect helps. I still hope we can eventually make the goal!"
     Finally, although none of Phyllis's projects currently support Heifer International (HI), she has been so impressed by the organization over the years that she created a personal fundraising page for it as well. She invites friends of her work to contribute. Once again, every donation made is secure and tax-deductible.
     "I'm especially grateful to Heifer right now for what it's doing in China," she says, "where my husband's father, brothers and extended family live." HI is helping people in China's Sichuan and Chonging Provinces recover from the devastating May 12, 2008, earthquake that killed at least 69,000 and left thousands more homeless. "Jihong's family wasn't harmed, fortunately," Phyllis reports, "but the devastation in those two provinces is truly unimaginable." HI has a long history in China and is committed to helping families there rebuild their homes and livelihoods through gifts of livestock and agricultural training.
     "With all my heart I want to thank everyone who has bought some of my work in the past," Phyllis says. "You have been generous not only to me but, more importantly, to people in the United States and around the world who are in dire straits. Your kindness is rippling out out endlessly, touching the lives of strangers in ways none of us will ever know."  Top


White Coat Music Completed
- June, 2008

Last September Phyllis was commissioned to compose a piece of solo piano music for the White Coat Ceremony at the Sanford School of Medicine of the University of South Dakota (see article below). This ceremony is an annual rite of passage in which the school initiates new medical students into their first year of studies and welcomes them as colleagues dedicated to patient care. Central to the ceremony is the cloaking of each student in a white lab coat, the symbolic garb of the medical profession for more than 100 years.
     Phyllis;has now completed that piece of music. Entitled "Starting from Here," it was inspired by a book of poetry by the same title that was written by Dr. Jerome Freeman, a member of the medical school faculty. "The piece reflects on the four years of intense learning and growth that new medical students face," Phyllis explains, "every day filled with the challenges and joys of becoming a capable and caring physician. Every day is yet another day devoted to `starting from here'."
     If;you would like to listen to an informal recording of "Starting from Here," please visit the Music Room.  Top


Phyllis to Compose Music for Medical School Ceremony
- September 23, 2007

Phyllis has just been commissioned to compose a piece of solo piano music for the White Coat Ceremony at the Sanford School of Medicine of the University of South Dakota (Vermillion, SD). The event will take place in August, 2008.
     A relatively new rite of passage in medical schools across the country, the White Coat Ceremony welcomes first-year medical students into their clinical studies and challenges them to take seriously the responsibility of patient care. Its high point is the cloaking of the students in short white coats, symbolizing their student status. This holds the promise of the day when they will don the long white coats traditionally worn by physicians and medical school faculty members.
     "I'm thrilled at being asked to do this," Phyllis says. "Music and health, music and healing, can be very much related if we'll allow them to be. Here's a great opportunity to celebrate that connection as well as to inspire these students who are devoting their lives to the art of caring." Top


First Child of All Earth Concert Slated
- August 30, 2007

Phyllis will present her first Child of All Earth concert at 7:00 p.m. on Friday, October 12, in the Fishback Studio Theatre of the Performing Arts Center on the campus of South Dakota State University, Brookings.
     This concert for peace, which Phyllis describes as making a humanitarian rather than a political statement, will be a multimedia event. She will perform her original solo piano compositions as photographic montages are being projected onto a large screen.
     "This will be my first-ever multimedia concert, and I'm excited," Phyllis says. "I created the montages after I'd composed the music, using photographs downloaded from the internet. I really think that the music and montages reinforce each other very well, deploring the violence of war and celebrating humanity's desire for peace."
     Sponsored by the SDSU chapter of Amnesty International, this concert will run approximately one and a half hours. Admission will be free for students. For all others admission will be $15 plus a can of food for the Brookings Area Food Pantry. Tickets will be available at the door only.
     If you or your organization would be interested in hosting a Child of All Earth multimedia concert for peace, either see Booking for more information or contact Phyllis.   Top


Child of All Earth Album Now on Sale
- August 30, 2007

Child of All Earth, Phyllis’s latest solo piano album, is now on sale to the general public. Phyllis composed the music on this album out of profound concern for all people, particularly in Iraq and Afghanistan, who are being traumatized by war.
     A;mong;the fourteen original compositions in this new collection are "Gone," which explores the absence and loss experienced by combatants, their families and their societies, during war and long after . . . "What If," which asks what might happen today if, instead of regularly resorting to violence or the forceful exercise of power to resolve international problems, we were to imagine and implement more creative and just alternatives . . . "Yes," which celebrates those times in which we choose to embody a spirit of affirmation rather than of negation; of compassion rather than hatred or indifference . . . "Here & There," which refutes the popular notion that human lives here are more significant and precious than human lives there . . . and "Home Again," which anticipates the homecoming of survivors of war, as well as the "coming home" of us all, more fully each day, to ourselves and one another.
     Ten;percent of the net sales proceeds from Child of All Earth will be donated to the Campaign for Innocent Victims in Conflict (CIVIC). A nonpartisan humanitarian organization, CIVIC was founded by American Marla Ruzicka to assist civilians harmed by war, particularly in Afghanistan and Iraq. Marla was killed by a car bomb in Iraq in 2005, but her vision lives on. For more information visit www.civicworldwide.org.
     In;addition to donating some of her CD income to CIVIC, Phyllis has decided to host a personal fundraising page for the organization. "This isn't about politics," she says. "It's about people. Some of us have trouble imagining what it would be like trying to live, work, raise children, be a good neighbor, survive in the middle of a war zone. Many of us, though, don't have to imagine it. All too many of us, civilians and soldiers alike, are right in the thick of it."
     Phyllis;is inviting personal friends and friends of her work to help raise at least $1000 for CIVIC's work on her fundraising page. If you would like to make your own tax-deductible donation, click here.
     More;about this album is found in "New Solo Album Soon to Be Released," dated July 17, 2007.   Top


Phyllis Launches Two Charity Fundraising Pages
- August 29, 2007

Phyllis has now launched personal fundraising pages for two humanitarian organizations whose mission she strongly supports. The first is the Campaign for Innocent Victims in Conflict, or CIVIC, which advocates for civilians caught in the crossfire of war. The second is Heifer International, which seeks to end world hunger by providing impoverished families in the U.S. and abroad with livestock and agricultural training.
          "A big part of what I want to do as an artist," says Phyllis, "is help raise awareness about, and funds for, human beings who are suffering. These pages will help me do just that." While she wishes that every organization directly supported by her work could host such pages, she recognizes that the trend is still new among non-profit groups. "Who knows, though," she says, "maybe I'll soon be adding a Doctors Without Borders page!"
     Phyllis's humanitarian fundraising pages are listed among her Links. Visitors may make secure tax-deductible donations directly to the cause. On her CIVIC page Phyllis has challenged "friends of her work" to help raise at least $1000 for civilian victims of war. (In addition, she'll be donating 10% of her net sales from Child of All Earth.) To visit her CIVIC page click here.
     Phyllis's Heifer International page is organized as a gift registry. Donors there may choose from among dozens of livestock animals and other agricultural goods valued at different amounts. To visit her Heifer page, click here.
     "There's so much suffering in the world, it's hard to know where to share our resources," says Phyllis. "Believe me, I understand that. I'm not meaning to pressure anybody. I'm just issuing an invitation. If you want to help, here's a way to help. We can work together to make a difference, one life at a time."   Top


Hospital Using Phyllis's Music
- May 11, 2007

The Pastoral Care Team of a large tertiary care medical center in the Upper Midwest has been so moved by the power and beauty of Phyllis's music that it has selected three of her pieces as a musical meditation for health-care providers to listen to on their way home after a busy day. Their hope is that her music ("Disappearing Sea," "Letter to a Young Poet" and "Flexible Flyer") will help the staff members transition from the "busyness" of their workday into both the challenges and blessings of their lives at home.
     According to the Rev. Bill Cooper, one of the hospital chaplains responsible for the creation of the audiotape, the introduction includes these words:
     "Our hope is that, as you listen to this music, you will be able to think through your day and gently leave it behind. As the music continues and you near home, breathe in peace and anticipate the playful re-creation that can await you there.
     "We invite you to listen to the music of pianist Phyllis Cole-Dai as she takes you on a journey through the storms of life, with crashing waves and gale force winds, to the times in life when the wind begins to subside and the clouds part, to reveal the sunlight streaming through. When the storms in life have passed, we are able to venture out in our rubber boots and slickers to splash through puddles and explore the newly rain-washed world."
     Phyllis is no stranger to this particular hospital. In 2006 she was the first-ever musical performer in its "Soothing Sounds for the Soul" series, which once each month provides a quality concert in the hospital lobby for the benefit of patients, their visitors and staff. She performed again in April, 2007.
     "It's one of the most wonderful venues I've ever played," Phyllis says. "The music weaves together with the sounds of hospital life. There is no auditory boundary between the world of the well and the world of the suffering. The music is for everyone who happens to hear. And the need for someone to hear it may be very great indeed. I never know whom the music is touching, or where in the hospital that might be happening."
     Cooper concurs, recalling how during one of Phyllis's performances he saw a patient being rolled on a gurney toward the operating room. Hearing the music, the patient asked the attendant to stop. The patient lay listening closely until the attendant insisted that they had to continue on their way.
     "Stories like that remind me of the healing power of music," Phyllis says. "In music is found every tone, every vibration, that the human being knows. Body, mind, and spirit can all be powerfully affected by a single piece of music, especially when we're tuned in."  Top


Composition Used in PBS Tribute to Poet
- April 20, 2007

"And So," a piece that Phyllis composed in honor of the life and work of the late poet David Citino, was included in "Remembering David Citino," a documentary that aired for the first time on WOSU-TV (Columbus, Ohio) in October, 2006. The thirty-minute program has sinced aired several times.
     Citino, author of a dozen books, died of complications from multiple sclerosis in October, 2005. He was poet laureate and professor of English at The Ohio State University, where Phyllis became acquainted with him while working on a graduate degree. Remembered by friends as "a man who put the happiness of others above all else," he balanced devotion to his writing and teaching with devotion to his family.
      Phyllis composed "And So" upon learning of David's sudden death in middle age. The message informing her of his passing included lines from his poem "And So," providing the title for the piece. The composition is, she says, a fond musical remembrance of a man who did serious work without taking himself too seriously. He was, in her words, "a great mentor and example of an artist deeply engaged with the world."
     Phyllis extends her continuing best wishes to David's wife, Mary, and the entire Citino family.   Top


Phyllis Collaborates with Prize-Winning Poet
- March 1, 2007

"Inspiration for my music comes from everywhere," says Phyllis, "including my reading and my friends. So it's hardly a surprise that `Old Love' came from where it did."
     "Old Love" is a composition that will be included on Phyllis's next CD, Child of All Earth, due out in the fall. Its inspiration was a poem with the same title that was composed by her friend, the prize-winning poet Mary O'Connor.
     "I asked Mary to let me read some of her latest work," Phyllis recalls. "When I read `Old Love,' I started feeling music rise up. I'm excited to have been able to collaborate with Mary on this. I hope that someday she'll be able to read her poem while I'm playing the piece live."
     Mary;O'Connor teaches English at South Dakota State University. Her poems and short stories have appeared in a variety of journals, including Metre, New Irish Writing, Columbia and Midwest Poetry Review. Some of her poems have been read on National Public Radio. She has also won numerous prizes for both poetry and short fiction.
     "It's an absolute honor that Mary agreed to share her work with me in this way," Phyllis says. "I will always have an especially soft spot in my heart for this piece."   Top


Piano Is World
- February 3, 2007

The piano is a world.
     A world of so many parts: thousands of pieces of wood, plastic, felt, buckskin, paper, steel, iron, copper, all of them intricately joined.
     A world of so much power: on average, 230 strings inside its cabinet, each with around 165 pounds of tension, a combined pull of around 18 tons.
      A world defying description: after all, what kind of instrument is it exactly? Percussion? String? Keyboard? All of these, yet more? It all depends on your point of view.
      A piano is a world. So many parts, so much power waiting to be unleashed, yet in the end a mystery. Sitting there in your living room, or on the stage, it poses questions, issues invitations. "Won't you sit down?" "What would you like to play?" The thing is alive, before you even finger a key or perch on the bench.
      Sometimes, though, the piano sits not in a comfortable home or fancy concert hall, but out in the elements, scarred and broken amidst the rubble of war, disaster, poverty, loss. Its parts are fragmented, laid bare, its power robbed, the whole thing threatening collapse. The questions it now poses are not so simple. They seem not only unanswerable but, at times, unaskable; its invitation to play, to make music, here, amidst the rubble, a sad mockery. We see the lonely piano, and we can do nothing but stand silent, bear witness to it. The thing is what it is.
      So first, the silence. We must respect it. Endure it. Learn from the agony of it. But then, somehow, there must again come music. To paraphrase Victor Hugo, only music can express that which can neither remain silent nor be expressed in words.
      Even amidst the rubble, or especially amidst the rubble, the music must again be composed, improvised, played, heard. Amidst the rack and ruin of the Gulf Coast or the Asian coastlines struck by the tsunamis; amidst the destruction of Iraqi and American lives; amidst the fear and hatred in Lebanon and Israel; amidst the carnage in Darfur; amidst all the loss in all the world, which, like its joy, can't really be counted or named, the piano must play. Somehow, together, we must repair it, start putting its guts back together, believing, restoring the shared power of the keys, the hammers, the strings. It stands before us now, one unspeakable question, a question ever deepening, a question demanding of us not so much an answer as profound acknowledgment, engagement, response. It demands from us our presence. Fingers on keys. Ears attuned.
      Piano. Is. World.   Top

© Photographer:  SergeyKoshevarov | Agency: D;reamstime.com

Kudos from Senator George McGovern - November 10, 2006

"Many thanks for sharing your Friends CD," read his brief note. "I listened to your beautiful music today as I was working on my mail, and I am looking forward to sharing it with Eleanor. . . . Thank you for your continued care for our world and her people."
      Phyllis met George McGovern, former South Dakota senator, presidential candidate, and U.N. ambassador for world hunger, at a 2005 fundraiser for Heifer International (shown here). Encouragement from this longtime peacemaker and advocate for the world's poor and powerless was an inspiration to her.
      Postscript, January 27, 2007: At the time Senator McGovern penned his kind message, his wife Eleanor was seriously ill. Sadly, she passed away this week. We extend our deepest sympathies to the senator and his family. Top


First Solo Piano Album Released
- July, 2006

The cover of Phyllis's first solo piano CD features this photograph taken by her dear friend, James Murray. The clasped hands, a detail from an old Scottish gravestone, represent all sorts of relationships that the music celebrates and challenges the listener to carefully maintain: relationships with family, friends, strangers who are suffering, the planet we inhabit, even our own spirits.
      Phyllis decided to donate a portion of the proceeds from the sale of Friends to Doctors Without Borders, to support that organization's humanitarian work in Darfur, Sudan. There, millions of people are now suffering the effects of the first state-sponsored genocide of the new millennium. Yet the horrors of that genocide, long ignored, are being allowed to continue. How many millions must suffer and die before we generate enough will to end the violence?   Top

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